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Admission to all exhibits is $3.00 Current Displays Include:  | | | Central Centennial: What in the James J. Hill was going on here? June 26th to January 2011
Book signing by authors Teddie Meronek and Kathy Laakso of DCHS newly released book TITLE of BOOK: Central A to Z: The History of a Superior School
| | | | | |  | | | Coolidge Room In 1928, Senator
Irving Lenroot invited President Coolidge to Cedar Island for a summer
of cooler weather and good fishing on the Brule River. His presidential
office that summer resided in Central High school's library. When the
Superior school district closed down and demolished Central, it saved
the room's contents and donated them to DCHS for an exhibit. Using
photographstaken of the room in 1928, DCHS has recreated part of the
Coolidge Room including his desk,which was filled with cement to prevent
fire and theft. Other items from the Coolidge Room are a forty-eight
star U.S. flag and several photos of Coolidge as he posedfor pictures
with everyone, including children, dogs and even a cow. This summer the
Coolidge Room will be expanded to recognize a time when a president
could be so accessible topeople in a small hamlet in northern
Wisconsin.
| | | | | | | | | | Traveling ExhibitSuperior: /The Making of a Labor Town/ will be
going on tour to the Government Center beginning in July |
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| “Superior: The Making of a Labor Town” A look at three historic phases of Superior’s labor movement and the people involved.
“All We Ask is $2.00 Per Day,” describes the early strikes involving construction laborers, railroad workers and a strike in 1913 at the Great Northern Railroad Ore Docks in Superior. A grant from the Wisconsin Labor History Society funded part of this first phase.
“Building a Labor Community,” centers on what is known as Superior’s “North End”, which borders the shipyards, docks and rail stations and has always been a working class district. The North End was home to Työmies, the Finnish Workers Hall and the Central Cooperative Wholesale Exchange with its branches of cooperative stores out in the county that served the needs of Finnish-Americans. Community halls set the scene for vibrant musical and theatrical performances. Most of this segment of the exhibit was done through research at the Immigration History Research Center in Minneapolis, Minnesota, which also houses photographs from the Työmies Society collection.
“A Labor Town” shows the results of these efforts, when local economic reports boasted that Superior was “a ninety-five percent union city”. Whether this percentage was true or not, legislative changes such as the Wagner Act of 1934 aided in the successes of unions. Suddenly, strikes exploded all over the city involving longshoremen, tugboat operators, and workers with the telephone company, hotels, restaurants and bakeries. By World War II, labor unions were so strong that, even with the shortage of manpower, strikes arose at the shipyards.
The exhibit, designed and developed by Carnita Tuomela and Allen Noska of Venture Exhibits, was funded by the Wisconsin Humanities Council. Accompanying this exhibit is “Superior’s Labor History Hall of Fame,” panels created by the Superior Federation of Labor with support from the Wisconsin Labor History Society.
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| Shipping Exhibit |
| | | |  | | | 2' x 4' WPA Painting
| | | | | |  | | | Psycograph Psycographs
were designed to read the bumps and ridges on the skull which
told of the weak and strong characteristics of the personality.
| | | | | | | | | Currently not on display Mary Branca
This wonderful doll pictured at left is but a sample of the artistry of Mary Branca. We have many of Mary Branca's dolls on display in our great hall. The following two pictures are also of Mary Branca Dolls. | | | | | | | |
| Mary Branca grew up above her father’s confectionery shop at 1218 Tower Avenue. She was educated at local schools, worked in the family store and eventually went to Chicago to study at the Art Institute and begin her career as a designer in a millinery firm. In her spare time, she made dolls. Mary not only created the bodies for the dolls from her own secret formula, she also attired them in authentic costumes. She learned how to make wigs, do leather and metal work, design jewelry and sew everything from petticoats to slippers in miniature. When she finished a doll, she sent it home to her mother who displayed them in beautiful cases made by Mary’s father. | | | | | | | | | Along with some of her beautiful oil paintings, DCHS is proud to be able to open a new exhibit of Mary’s dolls and display them in the cases that her father made so long ago. The dolls vary in their construction and design, some made from porcelain, others from a nylon or stockinet fabric. Notice the long, spindly fingers on some of the dolls, while others are more natural looking. Whether these differences are developments resulting from years of experimentation or deliberate is not known. Mary apparently did not make notes on her research or didn’t keep them. Mary and her gift of genius continue to be a mystery. | | | | | | | | | Currently not on display Pictured here is part of our David Barry Exhibit This famous frontier and pioneer photographer helped preserve the pictorial history of the old West with photos of The Custers, military officers and enlisted men, military forts, the little Bighorn Battlefield in Montana, and also Buffalo Bill Cody with his Wild West shows. Without his camera images, much of the photographic record of the people, places and events of the past would be lost to us today. |
“Superior: The Making of a Labor Town” A
look at three historic phases of Superior’s labor movement and the
people involved. “All We
Ask is $2.00 Per Day,” describes the early strikes involving
construction laborers, railroad workers and a strike in 1913 at the
Great Northern Railroad Ore Docks in Superior. A grant from the
Wisconsin Labor History Society funded part of this first phase. “Building a Labor Community,”
centers on what is known as Superior’s “North End”, which borders the
shipyards, docks and rail stations and has always been a working class
district. The North End was home to Työmies, the Finnish Workers Hall
and the Central Cooperative Wholesale Exchange with its branches of
cooperative stores out in the county that served the needs of
Finnish-Americans. Community halls set the scene for vibrant musical
and theatrical performances. Most of this segment of the exhibit was
done through research at the Immigration History Research Center in
Minneapolis, Minnesota, which also houses photographs from the Työmies
Society collection. “A Labor Town” shows
the results of these efforts, when local economic reports boasted that
Superior was “a ninety-five percent union city”. Whether this
percentage was true or not, legislative changes such as the Wagner Act
of 1934 aided in the successes of unions. Suddenly, strikes exploded
all over the city involving longshoremen, tugboat operators, and workers
with the telephone company, hotels, restaurants and bakeries. By World
War II, labor unions were so strong that, even with the shortage of
manpower, strikes arose at the shipyards. The exhibit, designed
and developed by Carnita Tuomela and Allen Noska of Venture Exhibits,
was funded by the Wisconsin Humanities Council. Accompanying this
exhibit is “Superior’s Labor History Hall of Fame,” panels created by
the Superior Federation of Labor with support from the Wisconsin Labor
History Society.
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